Teatrum Mundi

[Rolf Gunnar Rolfsson]

Teatrum Mundi

1. Developing a metaphysical discourse on pilgrimage
involves Chora, and Plato speaks of Chora in dawn of
discourse, at the first academy in ancient Greece,
named after hero Academus.

2. Renaissance central perspective, at point
infinite, is the center of a world maze view, where
the spectator is heading into the image of reality.

3. By moving towards infinitive, into horizon ahead,
causes Teatrum Mundi to unfold, where the
determination of the wandering spectator gradually
develops into an existential and theatrical play.

4. From center of manifestation, in focus of
attention, is where the invisible becomes visible,
and moves from Chora into Topos of the moment.

5. Point is Kartharsis of beauty in sequence of
visibility, as the rose unfolds petal by petal, in
allegory of step by step in pilgrim’s wandering
wonder.

Here is my source of inspiration:
http://www.stud.hum.ku.dk/rolfro/chora/perez-gomez.htm

Ultreya!

Rolf Gunnar Rolfsson